Western Saharan musician/activist Aziza Brahim’s new album Abbar el Hamada (Across the Hamada), is a commanding and compassionate musical statement about, and for, the tumultuous age in which we live.
Raised in a Saharawi refugee camp in the Algerian desert, and living in exile for more than two decades (first in Cuba and currently in Barcelona), Brahim’s life and music embodies both the tragedies and hopes of the present-day migrant and refugee experience.
As walls and borders are again being raised though-out Europe and other corners of the world, Aziza Brahim’s passionately sung poetic defiance, is especially timely and profound.
Los Muros (The Walls), a dignified desert dreamscape; is emblematic of Aziza’s artistry. The lyrics morph from condemning the sand fortifications Morocco has erected along the Western Saharan border (to prevent the return of the Saharawi to their homeland), to a recognition that while walls are tragically universal, so is the imaginative spirit that encourages us to transcend them.